He does retain an uncanny ability to come up with imaginative ways to stage fights.

With his name attached, you might expect a lot of grandiose wire-fu, but he doesn’t get too overzealous with it. The director this time around is himself a martial arts legend, and one of the figures responsible for the renaissance of Hong Kong action in the 1980s and ‘90s: Yuen Woo-Ping was already renowned for directing Jackie Chan’s Drunken Master, Jet Li’s Tai Chi Master and Donnie Yen’s Iron Monkey, before he gained international fame choreographing the martial arts sequences in The Matrix, Kill Bill, and Crouching Tiger, Hidden Dragon. Casting a comically huge pro-wrestler with limited range as a supposedly calm businessman is a clever way to build suspense we know this guy will eventually turn out to have some moves on him, and as a result the actor’s stony blankness gains a sense of simmering menace. And then there is Owen Davidson (Dave Bautista, bringing some of that international money), a seemingly respectable, steak-obsessed, high-end restaurateur who’s got some nasty secrets of his own. Meanwhile, Kit’s powerful sister Kwan (Michelle Yeoh), head of one of the city’s biggest crime families, is also looking to go legit, putting her in direct conflict with her brother, who wants to expand the local drug trade. And when he comes to the defense of Julia (Liu Yan) and her junkie friend Nana (Chrissie Chao) against a group of thugs led by local gangster Tso Sai Kit (Kevin Cheng), Cheung and his son are targeted for revenge. Cheung’s refusal to fight isn’t exactly a refusal to fight, of course he immediately pounces whenever someone powerless appears to be in trouble.

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